Warehouse

The warehouse is a large 10,000 square foot multi-use space, forty feet high along the centre, with original wooden beams and pillars.
 
Large touring acts block rent the warehouse for rehearsal before heading out on the road.  The room has a stage-like atmosphere with blacks and par cans, and provides adequate power for running FOH and monitor rigs.

The unique atmosphere has lent itself to numerous recordings and movie shoots, notably Kim Mitchell's Aural Fixations, Lawrence Gowan's But You Can Call Me Larry, and David Cronenberg's film Naked Lunch.